Profil użytkownika peter-keough

peter-keough opublikował(a) recenzję filmu: peter-keough

Baggage Claim (2013)

i 1 inne zdjęcie
“You don’t need a man to define you!” Very true, and so much for feminism. The rest of the film takes a long, convoluted, predictable, and mostly unfunny route to prove that the opposite ... Przeczytaj recenzję
peter-keough opublikował(a) recenzję filmu: peter-keough

A Single Shot (2013)

In lieu of suspense, Rosenthal relies on a mood of free-floating anxiety, enhanced by West Virginia (actually British Columbia) landscapes where the sun never shines. As one-note as the t... Przeczytaj recenzję
peter-keough opublikował(a) recenzję filmu: peter-keough

Things Never Said (2012)

In a year when black filmmaking has surged with Oscar-touted films such as “The Butler” and the upcoming “12 Years a Slave,” Murray’s Things Never Said has a quiet eloquence of its own. Przeczytaj recenzję
peter-keough opublikował(a) recenzję filmu: peter-keough

Hell Baby (2013)

As a five-minute sketch it would have been so-so. But as a 93-minute slog through witless puerility, it seems like an eternity in hell, baby. Przeczytaj recenzję
peter-keough opublikował(a) recenzję filmu: peter-keough

I Declare War (2012)

Imagination is what these filmmakers could use more of, as their ingenious concept doesn’t develop much beyond a gimmick. Przeczytaj recenzję
peter-keough opublikował(a) recenzję filmu: peter-keough

Cutie and the Boxer (2013)

In this alternately whimsical and grim documentary, Zachary Heinzerling relates the couple’s down-and-out, inspiring saga, which slyly comments on the evolution and ironies of the past ha... Przeczytaj recenzję
peter-keough opublikował(a) recenzję filmu: peter-keough

You're Next (2011)

Like [The Purge and The Conjuring], Adam Wingard’s sly, diabolical, and oddly moral You’re Next draws on the home invasion/haunted house scenario, but outclasses them with its wit, irony,... Przeczytaj recenzję
peter-keough opublikował(a) recenzję filmu: peter-keough

jOBS (2013)

i 2 inne zdjęcia
If one were to compare this film to one of Jobs’s own products, it would be more like the Cube than the iPod. Przeczytaj recenzję
peter-keough opublikował(a) recenzję filmu: peter-keough

Lovelace (2013)

Epstein and Friedman may have the best of intentions, but in the end they’re exploiting Lovelace, too. Przeczytaj recenzję
peter-keough opublikował(a) recenzję filmu: peter-keough

The Look of Love (2013)

Although Raymond’s career extended over five decades of London sleaze, decadence, and celebrity, neither director nor actor provide much insight into the man or his times, not to mention ... Przeczytaj recenzję